Top Mac & Softwares, roms wnloads

Category: Mac Audio

  • Audio Imperia Trailer Guitars Tensions and Motors 1.1 for Mac

    Audio Imperia Trailer Guitars Tensions and Motors 1.1 for Mac

    Audio Imperia Trailer Guitars Tensions and Motors 1.1 for Mac

    Audio Imperia Trailer Guitars Tensions and Motors 1.1 for Mac

    Mac Audio
    Updated Nov 6, 2026
    Mac Audio • Updated Nov 6, 2026

    Trailer Guitars: Tensions and Motors is a cinematic guitar library from Audio Imperia, made for composers writing trailer, film and game music on a Mac. Instead of a standard playable guitar, it focuses on the sounds trailers actually need: tense, brooding guitar textures and driving rhythmic patterns that build pressure under a cue.

    Key Features

    • Cinematic electric guitar content designed specifically for trailer and score work
    • Tension material: dark, sustained textures that sit under dialogue and build unease
    • Motors material: rhythmic, pulsing guitar patterns that add drive and momentum
    • Made to layer with orchestral and hybrid trailer arrangements
    • Loads inside Native Instruments Kontakt within your Mac DAW

    How to Download

    1. Make sure you have Native Instruments Kontakt installed in your Mac DAW before installing the library.
    2. Use the green Download button on this page to get the package, or visit the developer's website for the current release.
    3. Use the green Download button on this page to get the package, then add the library in Kontakt and load it on an instrument track.

    System Requirements

    This library needs a Mac running a recent version of macOS, Native Instruments Kontakt, and enough free disk space for cinematic sample content. An SSD and 16 GB of RAM make large Kontakt sessions noticeably smoother.

    FAQs

    Is this the same as Trailer Guitars 2?

    No. Tensions and Motors is the earlier Trailer Guitars edition. Audio Imperia's current store leads with Trailer Guitars 2, a full 8-string guitar instrument, so check which edition you are buying before you pay.

    Do I need the full version of Kontakt?

    Many Audio Imperia libraries of this era were made for the full retail Kontakt rather than the free Player. Check the library's documentation after download so you install the correct Kontakt version.

  • Audio Hijack 4.6.0 for Mac

    Audio Hijack 4.6.0 for Mac

    Audio Hijack 4.6.0 for Mac

    Audio Hijack 4.6.0 for Mac

    Mac Audio
    Updated Nov 6, 2026
    Mac Audio • Updated Nov 6, 2026

    Audio Hijack, from Rogue Amoeba, is a Mac app for recording any audio your computer makes or hears. It can capture sound from a single application, a microphone, a web stream or a video call, then route that audio through effects and recorders using a simple drag-and-drop block system, all in one session.

    Key Features

    • Capture audio from any app, input device or combination of sources on your Mac
    • Build sessions from blocks: sources, effects, outputs and recorders connected visually
    • Record calls, streams, podcasts and broadcasts, with options to save in popular formats
    • Built-in effects and Audio Unit support for cleaning up or shaping recordings
    • Transcribe block that turns recorded speech into text, plus live stream and broadcast outputs

    How to Download

    1. Check your macOS version first, as the current Audio Hijack release needs a recent system.
    2. Get the installer from the developer: Download from the official site
    3. Install Audio Hijack, build a simple session from an application source and a recorder, and make a test recording.

    System Requirements

    Audio Hijack 4.6 requires macOS 14.4 or later on an Intel or Apple silicon Mac, per Rogue Amoeba's release notes. Older macOS versions are served by earlier Audio Hijack releases listed on the developer's legacy page.

    FAQs

    Can I try Audio Hijack before buying?

    Yes. Rogue Amoeba offers a free, fully functional trial from the official site. Trial recordings are limited in length until you buy a licence and unlock the full version.

    Can Audio Hijack record a Zoom or Skype call?

    Yes. Capturing calls from VoIP apps is one of its main uses: pick the app as your source, add your microphone if needed, and record both sides of the conversation, subject to your local recording laws.

  • Audio Hertz FAN Modulator 1.1.3 for Mac

    Audio Hertz FAN Modulator 1.1.3 for Mac

    Audio Hertz FAN Modulator 1.1.3 for Mac

    Audio Hertz FAN Modulator 1.1.3 for Mac

    Mac Audio
    Updated Nov 6, 2026
    Mac Audio • Updated Nov 6, 2026

    FAN is a multi-modulation plug-in from Audio Hertz for Mac, built around a childhood memory: singing into a desk fan and hearing your voice chopped and warbled by the spinning blades. Its playful fan-shaped interface hides a practical set of classic modulation effects that producers can drop onto vocals, guitars, keys and synths.

    Key Features

    • Four classic modulation effects in one plug-in: Chorus, Vibrato, Tremolo and Rotary
    • Custom FAN effect that simulates singing or playing into a moving fan blade
    • Simple, minimal controls designed to get a usable sound quickly
    • Made to run with no added latency, so it tracks well in a live-feeling mix
    • Runs as VST3, AU and AAX in 64-bit hosts on Mac

    How to Download

    1. Check that your DAW supports VST3, AU or AAX effect plug-ins on macOS.
    2. Get the installer from the developer: Download from the official site
    3. Run the installer from the official product page, rescan plug-ins in your DAW, and try FAN on a vocal or guitar track.

    System Requirements

    FAN needs a Mac with a recent version of macOS and a 64-bit DAW that supports VST3, AU or AAX plug-ins. See the official Audio Hertz page for the exact requirements of the current version.

    FAQs

    What does the FAN effect actually do?

    It recreates the choppy, warbling sound of a voice passing through spinning fan blades, turning a nostalgic trick into a controllable modulation effect you can blend into a track.

    Is FAN only a novelty plug-in?

    No. Alongside the fan effect it includes chorus, vibrato, tremolo and rotary, the everyday modulation sounds most mixes need, all with deliberately simple controls.

  • Audio Editor Music Mixer 1.8.0 for Mac

    Audio Editor Music Mixer 1.8.0 for Mac

    Audio Editor Music Mixer 1.8.0 for Mac

    Audio Editor Music Mixer 1.8.0 for Mac

    Mac Audio
    Updated Nov 6, 2026
    Mac Audio • Updated Nov 6, 2026

    Audio Editor Music Mixer is a Mac app for combining and mixing music clips without opening a full production studio. You can merge separate songs or recordings into one file, layer background music under other audio, and adjust the balance between clips, which makes it handy for mixtapes, video soundtracks and simple remixes.

    Key Features

    • Merge several music clips into a single continuous file
    • Mix clips together, including files stored in different audio formats
    • Multitrack-style mixing to layer background music under vocals or narration
    • Trim clips and adjust their volume before you combine them
    • Export the finished mix in popular audio formats for phones, video editors and sharing

    How to Download

    1. Check your Mac is running a recent version of macOS before installing.
    2. Use the green Download button on this page to get the package, or visit the developer's website for the current release.
    3. Install the app, add the clips you want to combine, arrange and balance them, then export your mix.

    System Requirements

    Audio Editor Music Mixer runs on Intel and Apple silicon Macs with a recent version of macOS. Mixing a handful of clips at a time is light work for any modern Mac.

    FAQs

    Can I mix files in different formats?

    Yes. Combining clips stored in different common formats is one of the main jobs of this app, so you do not have to convert everything by hand before you start.

    Is the mixing feature free?

    Apps in this category usually offer basic editing free and may reserve multitrack mixing for a premium tier. Check the current terms on the developer's website or the green Download button on this page before relying on a specific feature.

  • Audio Editor 1.8.2 for Mac

    Audio Editor 1.8.2 for Mac

    Audio Editor 1.8.2 for Mac

    Audio Editor 1.8.2 for Mac

    Mac Audio
    Updated Nov 6, 2026
    Mac Audio • Updated Nov 6, 2026

    Audio Editor is a straightforward Mac app for everyday audio editing jobs that do not need a full digital audio workstation. Open a recording, music file or voice note, tidy it up on the waveform, and export a clean copy. It suits podcasters, students, musicians and anyone who regularly trims or cleans up audio on a Mac.

    Key Features

    • Waveform editing to trim, cut, copy and delete sections of a recording
    • Fade in and fade out controls for smooth starts and endings
    • Volume adjustment to lift quiet recordings or tame loud ones
    • Support for common audio files such as MP3, WAV and M4A
    • Export your edited audio in popular formats for sharing or further production

    How to Download

    1. Check your Mac is running a recent version of macOS before installing.
    2. Use the green Download button on this page to get the package, or visit the developer's website for the current release.
    3. Install the app, open your first audio file, and use the waveform tools to make your edits.

    System Requirements

    Audio Editor runs on Intel and Apple silicon Macs with a recent version of macOS. It is a lightweight app, so any modern Mac handles typical editing work comfortably.

    FAQs

    Is Audio Editor a full DAW?

    No. It is a focused editor for cutting, trimming and polishing single audio files. For multitrack recording and mixing with instruments and plug-ins, you would want a DAW such as GarageBand or Logic Pro instead.

    Can I use Audio Editor for podcasts?

    Yes. Trimming silences, cutting mistakes, adding fades and levelling volume are exactly the jobs this kind of editor is made for, before you publish or send the episode on for production.

  • Audio Damage AD36 Dubstation 2 2.4.3 for Mac

    Audio Damage AD36 Dubstation 2 2.4.3 for Mac

    Audio Damage AD36 Dubstation 2 2.4.3 for Mac

    Audio Damage AD36 Dubstation 2 2.4.3 for Mac

    Mac Audio
    Updated Nov 6, 2026
    Mac Audio • Updated Nov 6, 2026

    Dubstation 2 is Audio Damage's bucket-brigade dub delay plug-in for Mac, and one of the company's best-known products. It models analogue delay hardware, where the top end rolls off as the delay time gets longer, and covers everything from short slapback and tape-style modulation to wide ping-pong patterns and runaway dub sirens.

    Key Features

    • Bucket-brigade delay model refined by Audio Damage since the original Dubstation release
    • Two delay lines with single, dual-time and ping-pong modes, from 4 ms up to 2 seconds
    • Analogue-style saturation plus low and high cut filters inside the feedback path
    • LFO modulation for chorus and pitch sweep effects, plus Reverse and Loop modes
    • Tempo sync, tap tempo (including MIDI tap) and a shared preset browser with new factory presets

    How to Download

    1. Confirm your DAW supports AU, VST3, AAX or CLAP effect plug-ins on macOS.
    2. Get the installer from the developer: Download from the official site
    3. Run the installer, rescan plug-ins in your DAW, and put Dubstation 2 on an effects return for classic dub echoes.

    System Requirements

    Dubstation 2 runs on Intel and Apple silicon Macs with a recent version of macOS and a 64-bit DAW. Check the official product page for the minimum macOS version of the current build.

    FAQs

    What changed in version 2.4?

    The 2.4 update added tap tempo as a sync source, MIDI control of tap tempo, the current shared Audio Damage preset browser, and 30 new factory presets covering dub, slapback, ambient and experimental sounds.

    Is Dubstation 2 good for more than dub music?

    Yes. The dub name comes from its feedback-friendly character, but producers use it on pop, electronic, ambient and rock tracks anywhere a warm, musical delay is needed.

  • Audio Damage AD054 Other Desert Cities 1.0.10 for Mac

    Audio Damage AD054 Other Desert Cities 1.0.10 for Mac

    Audio Damage AD054 Other Desert Cities 1.0.10 for Mac

    Audio Damage AD054 Other Desert Cities 1.0.10 for Mac

    Mac Audio
    Updated Nov 6, 2026
    Mac Audio • Updated Nov 6, 2026

    Other Desert Cities is a creative delay plug-in from Audio Damage for Mac, named after a famous road sign on the Interstate 10 leaving Los Angeles. Rather than doing one delay sound well, it offers six different delay algorithms in a single plug-in, covering everything from everyday stereo echoes to granular, pitch-shifting sound design.

    Key Features

    • Six delay algorithms, each with its own character, from standard stereo delay to granular pitch-shifting
    • Multi-tap and dual delay options for rhythmic, patterned echoes
    • Extensive modulation capabilities for moving, evolving repeats
    • Per-algorithm tone shaping with EQ and saturation-style controls
    • Runs as AU, VST3, AAX and CLAP in 64-bit Mac hosts, with a Universal Binary for Intel and Apple silicon

    How to Download

    1. Make sure your DAW supports AU, VST3, AAX or CLAP effect plug-ins on macOS.
    2. Get the installer from the developer: Download from the official site
    3. Install the plug-in, rescan in your DAW, and work through the six algorithms to learn what each one does.

    System Requirements

    Other Desert Cities needs macOS 10.12 or later on an Intel or Apple silicon Mac and a 64-bit DAW. A recent version of macOS is recommended for current DAW compatibility.

    FAQs

    How is Other Desert Cities different from Dubstation?

    Dubstation focuses on one thing: warm bucket-brigade style dub delay. Other Desert Cities is the playground, with six algorithms that range from basic delays to granular pitch-shifting effects you would normally need several plug-ins to build.

    Can I try it before buying?

    Yes. Audio Damage provides a fully operational demo that times out after 20 minutes per session, so you can test every algorithm in your own projects first.

  • Audio Damage AD051 Continua 1.2.4 for Mac

    Audio Damage AD051 Continua 1.2.4 for Mac

    Audio Damage AD051 Continua 1.2.4 for Mac

    Audio Damage AD051 Continua 1.2.4 for Mac

    Mac Audio
    Updated Nov 6, 2026
    Mac Audio • Updated Nov 6, 2026

    Continua is a virtual analogue synthesizer plug-in from Audio Damage for Mac with a twist: instead of fixed waveform switches, each of its three oscillators has a continuously morphable waveform. Three connected controls reshape the wave in real time, which makes Continua especially good at long, evolving pads and soundscapes inside your DAW.

    Key Features

    • Three oscillators with continuously morphable waveforms shaped by warp, shape and skew controls
    • Four oscillator modes, including additive and phase-modulation options, plus noise and cross modulation
    • Two morphing state-variable filters that blend between lowpass, highpass, bandpass and notch shapes
    • Two ADSR envelopes, flexible envelope generators and four flexible LFOs, plus sample and hold
    • Factory preset library with designer sounds, and support for modern tuning systems

    How to Download

    1. Check that your DAW hosts AU, VST3, AAX or CLAP instrument plug-ins on macOS.
    2. Get the installer from the developer: Download from the official site
    3. Run the installer, load Continua on an instrument track, and browse the factory presets to hear its range.

    System Requirements

    Continua runs on Intel and Apple silicon Macs with a recent version of macOS and a 64-bit DAW. The official product page lists the exact minimum macOS version for the current build.

    FAQs

    Is Continua a sample-based synth?

    No. It is a virtual analogue instrument: its sound comes from its three morphing oscillators and filters, not from a sample library, so patches stay compact and fully editable.

    Does Continua need a dongle or subscription?

    No. Like other Audio Damage products, it is sold as a perpetual licence with no DRM, no subscription and no online activation after install.

  • Audio Damage AD049 Enso 1.1.0 for Mac

    Audio Damage AD049 Enso 1.1.0 for Mac

    Audio Damage AD049 Enso 1.1.0 for Mac

    Audio Damage AD049 Enso 1.1.0 for Mac

    Mac Audio
    Updated Nov 6, 2026
    Mac Audio • Updated Nov 6, 2026

    Enso is a looping plug-in from Audio Damage for Mac, inspired by both modern looper pedals and vintage tape-based setups. It records your playing into a loop inside your DAW, then lets you treat that loop like tape: slow it down, reverse it, chop it into sectors and overdub new layers for live performance or studio experimentation.

    Key Features

    • Record loops of up to ten minutes on desktop, synced to your host DAW's clock
    • Tape-style operation with independent record and playback behaviour
    • Play loops in sectors, so you can jump between sections of a longer recording
    • Change speed and pitch together, tape-style, and play loops in reverse
    • Designed for both live performers and producers building layered textures in the studio

    How to Download

    1. Confirm your DAW supports AU, VST3 or AAX effect plug-ins on macOS.
    2. Get the installer from the developer: Download from the official site
    3. Install Enso, load it on a track, press play in your DAW and hit record to capture your first loop.

    System Requirements

    Enso runs on Intel and Apple silicon Macs, as the macOS build is a Universal Binary, with a recent version of macOS and a 64-bit DAW. A MIDI controller is optional but handy for live looping.

    FAQs

    How long can an Enso loop be?

    On the desktop version you can record loops of up to ten minutes. That is plenty for full song sections, ambient beds or long improvised passes.

    Is Enso only for live performance?

    No. Live looping is where it shines, but producers also use it in the studio to build evolving layers, reversed textures and tape-style variations of recorded parts.

  • Audio Damage AD048 PhaseThree 3.1.0 for Mac

    Audio Damage AD048 PhaseThree 3.1.0 for Mac

    Audio Damage AD048 PhaseThree 3.1.0 for Mac

    Audio Damage AD048 PhaseThree 3.1.0 for Mac

    Mac Audio
    Updated Nov 6, 2026
    Mac Audio • Updated Nov 6, 2026

    PhaseThree is Audio Damage's detailed plug-in model of the Mu-Tron Bi-Phase, the sought-after twin phaser pedal from the 1970s. Audio Damage bought and dismantled an original unit to capture its behaviour, including the response of its vactrols and the unique sweep of its LFOs, and rebuilt it as a Mac plug-in for your DAW.

    Key Features

    • Faithful model of the original Bi-Phase hardware, including its quirks and vactrol response
    • Two separately controllable phasers that can work together for deep stereo movement
    • Original six-stage phasers, plus a twelve-stage option per channel for stronger sweeps
    • The rare Bi-Phase expression pedal is modelled as a separate, modulatable parameter
    • Cross-platform preset manager, with presets that can move between desktop and iOS versions

    How to Download

    1. Make sure your DAW supports AU, VST or AAX effect plug-ins on macOS.
    2. Use the green Download button on this page to get the package, or visit the developer's website for the current release.
    3. Install the plug-in, rescan in your DAW, and place PhaseThree on guitars, keys or synths for classic phasing.

    System Requirements

    PhaseThree needs a Mac with a recent version of macOS and a 64-bit DAW. Because it is an older plug-in, check the developer's current requirements if you run the very latest macOS release.

    FAQs

    What hardware is PhaseThree based on?

    It models the Mu-Tron Bi-Phase, a vintage twin phaser known for its liquid, subtle stereo phasing. No two surviving hardware units sound exactly alike, so Audio Damage modelled one particularly good example.

    Is PhaseThree free?

    No. It is a paid Audio Damage plug-in. Use the green Download button on this page or the developer's website to get the current release and pricing.