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  • Audio Editor 1.8.2 for Mac

    Audio Editor 1.8.2 for Mac

    Audio Editor 1.8.2 for Mac

    Audio Editor 1.8.2 for Mac

    Mac Audio
    Updated Nov 6, 2026
    Mac Audio • Updated Nov 6, 2026

    Audio Editor is a straightforward Mac app for everyday audio editing jobs that do not need a full digital audio workstation. Open a recording, music file or voice note, tidy it up on the waveform, and export a clean copy. It suits podcasters, students, musicians and anyone who regularly trims or cleans up audio on a Mac.

    Key Features

    • Waveform editing to trim, cut, copy and delete sections of a recording
    • Fade in and fade out controls for smooth starts and endings
    • Volume adjustment to lift quiet recordings or tame loud ones
    • Support for common audio files such as MP3, WAV and M4A
    • Export your edited audio in popular formats for sharing or further production

    How to Download

    1. Check your Mac is running a recent version of macOS before installing.
    2. Use the green Download button on this page to get the package, or visit the developer's website for the current release.
    3. Install the app, open your first audio file, and use the waveform tools to make your edits.

    System Requirements

    Audio Editor runs on Intel and Apple silicon Macs with a recent version of macOS. It is a lightweight app, so any modern Mac handles typical editing work comfortably.

    FAQs

    Is Audio Editor a full DAW?

    No. It is a focused editor for cutting, trimming and polishing single audio files. For multitrack recording and mixing with instruments and plug-ins, you would want a DAW such as GarageBand or Logic Pro instead.

    Can I use Audio Editor for podcasts?

    Yes. Trimming silences, cutting mistakes, adding fades and levelling volume are exactly the jobs this kind of editor is made for, before you publish or send the episode on for production.

  • Audio Damage AD36 Dubstation 2 2.4.3 for Mac

    Audio Damage AD36 Dubstation 2 2.4.3 for Mac

    Audio Damage AD36 Dubstation 2 2.4.3 for Mac

    Audio Damage AD36 Dubstation 2 2.4.3 for Mac

    Mac Audio
    Updated Nov 6, 2026
    Mac Audio • Updated Nov 6, 2026

    Dubstation 2 is Audio Damage's bucket-brigade dub delay plug-in for Mac, and one of the company's best-known products. It models analogue delay hardware, where the top end rolls off as the delay time gets longer, and covers everything from short slapback and tape-style modulation to wide ping-pong patterns and runaway dub sirens.

    Key Features

    • Bucket-brigade delay model refined by Audio Damage since the original Dubstation release
    • Two delay lines with single, dual-time and ping-pong modes, from 4 ms up to 2 seconds
    • Analogue-style saturation plus low and high cut filters inside the feedback path
    • LFO modulation for chorus and pitch sweep effects, plus Reverse and Loop modes
    • Tempo sync, tap tempo (including MIDI tap) and a shared preset browser with new factory presets

    How to Download

    1. Confirm your DAW supports AU, VST3, AAX or CLAP effect plug-ins on macOS.
    2. Get the installer from the developer: Download from the official site
    3. Run the installer, rescan plug-ins in your DAW, and put Dubstation 2 on an effects return for classic dub echoes.

    System Requirements

    Dubstation 2 runs on Intel and Apple silicon Macs with a recent version of macOS and a 64-bit DAW. Check the official product page for the minimum macOS version of the current build.

    FAQs

    What changed in version 2.4?

    The 2.4 update added tap tempo as a sync source, MIDI control of tap tempo, the current shared Audio Damage preset browser, and 30 new factory presets covering dub, slapback, ambient and experimental sounds.

    Is Dubstation 2 good for more than dub music?

    Yes. The dub name comes from its feedback-friendly character, but producers use it on pop, electronic, ambient and rock tracks anywhere a warm, musical delay is needed.

  • Audio Damage AD054 Other Desert Cities 1.0.10 for Mac

    Audio Damage AD054 Other Desert Cities 1.0.10 for Mac

    Audio Damage AD054 Other Desert Cities 1.0.10 for Mac

    Audio Damage AD054 Other Desert Cities 1.0.10 for Mac

    Mac Audio
    Updated Nov 6, 2026
    Mac Audio • Updated Nov 6, 2026

    Other Desert Cities is a creative delay plug-in from Audio Damage for Mac, named after a famous road sign on the Interstate 10 leaving Los Angeles. Rather than doing one delay sound well, it offers six different delay algorithms in a single plug-in, covering everything from everyday stereo echoes to granular, pitch-shifting sound design.

    Key Features

    • Six delay algorithms, each with its own character, from standard stereo delay to granular pitch-shifting
    • Multi-tap and dual delay options for rhythmic, patterned echoes
    • Extensive modulation capabilities for moving, evolving repeats
    • Per-algorithm tone shaping with EQ and saturation-style controls
    • Runs as AU, VST3, AAX and CLAP in 64-bit Mac hosts, with a Universal Binary for Intel and Apple silicon

    How to Download

    1. Make sure your DAW supports AU, VST3, AAX or CLAP effect plug-ins on macOS.
    2. Get the installer from the developer: Download from the official site
    3. Install the plug-in, rescan in your DAW, and work through the six algorithms to learn what each one does.

    System Requirements

    Other Desert Cities needs macOS 10.12 or later on an Intel or Apple silicon Mac and a 64-bit DAW. A recent version of macOS is recommended for current DAW compatibility.

    FAQs

    How is Other Desert Cities different from Dubstation?

    Dubstation focuses on one thing: warm bucket-brigade style dub delay. Other Desert Cities is the playground, with six algorithms that range from basic delays to granular pitch-shifting effects you would normally need several plug-ins to build.

    Can I try it before buying?

    Yes. Audio Damage provides a fully operational demo that times out after 20 minutes per session, so you can test every algorithm in your own projects first.

  • Audio Damage AD051 Continua 1.2.4 for Mac

    Audio Damage AD051 Continua 1.2.4 for Mac

    Audio Damage AD051 Continua 1.2.4 for Mac

    Audio Damage AD051 Continua 1.2.4 for Mac

    Mac Audio
    Updated Nov 6, 2026
    Mac Audio • Updated Nov 6, 2026

    Continua is a virtual analogue synthesizer plug-in from Audio Damage for Mac with a twist: instead of fixed waveform switches, each of its three oscillators has a continuously morphable waveform. Three connected controls reshape the wave in real time, which makes Continua especially good at long, evolving pads and soundscapes inside your DAW.

    Key Features

    • Three oscillators with continuously morphable waveforms shaped by warp, shape and skew controls
    • Four oscillator modes, including additive and phase-modulation options, plus noise and cross modulation
    • Two morphing state-variable filters that blend between lowpass, highpass, bandpass and notch shapes
    • Two ADSR envelopes, flexible envelope generators and four flexible LFOs, plus sample and hold
    • Factory preset library with designer sounds, and support for modern tuning systems

    How to Download

    1. Check that your DAW hosts AU, VST3, AAX or CLAP instrument plug-ins on macOS.
    2. Get the installer from the developer: Download from the official site
    3. Run the installer, load Continua on an instrument track, and browse the factory presets to hear its range.

    System Requirements

    Continua runs on Intel and Apple silicon Macs with a recent version of macOS and a 64-bit DAW. The official product page lists the exact minimum macOS version for the current build.

    FAQs

    Is Continua a sample-based synth?

    No. It is a virtual analogue instrument: its sound comes from its three morphing oscillators and filters, not from a sample library, so patches stay compact and fully editable.

    Does Continua need a dongle or subscription?

    No. Like other Audio Damage products, it is sold as a perpetual licence with no DRM, no subscription and no online activation after install.

  • Audio Damage AD049 Enso 1.1.0 for Mac

    Audio Damage AD049 Enso 1.1.0 for Mac

    Audio Damage AD049 Enso 1.1.0 for Mac

    Audio Damage AD049 Enso 1.1.0 for Mac

    Mac Audio
    Updated Nov 6, 2026
    Mac Audio • Updated Nov 6, 2026

    Enso is a looping plug-in from Audio Damage for Mac, inspired by both modern looper pedals and vintage tape-based setups. It records your playing into a loop inside your DAW, then lets you treat that loop like tape: slow it down, reverse it, chop it into sectors and overdub new layers for live performance or studio experimentation.

    Key Features

    • Record loops of up to ten minutes on desktop, synced to your host DAW's clock
    • Tape-style operation with independent record and playback behaviour
    • Play loops in sectors, so you can jump between sections of a longer recording
    • Change speed and pitch together, tape-style, and play loops in reverse
    • Designed for both live performers and producers building layered textures in the studio

    How to Download

    1. Confirm your DAW supports AU, VST3 or AAX effect plug-ins on macOS.
    2. Get the installer from the developer: Download from the official site
    3. Install Enso, load it on a track, press play in your DAW and hit record to capture your first loop.

    System Requirements

    Enso runs on Intel and Apple silicon Macs, as the macOS build is a Universal Binary, with a recent version of macOS and a 64-bit DAW. A MIDI controller is optional but handy for live looping.

    FAQs

    How long can an Enso loop be?

    On the desktop version you can record loops of up to ten minutes. That is plenty for full song sections, ambient beds or long improvised passes.

    Is Enso only for live performance?

    No. Live looping is where it shines, but producers also use it in the studio to build evolving layers, reversed textures and tape-style variations of recorded parts.

  • Audio Damage AD048 PhaseThree 3.1.0 for Mac

    Audio Damage AD048 PhaseThree 3.1.0 for Mac

    Audio Damage AD048 PhaseThree 3.1.0 for Mac

    Audio Damage AD048 PhaseThree 3.1.0 for Mac

    Mac Audio
    Updated Nov 6, 2026
    Mac Audio • Updated Nov 6, 2026

    PhaseThree is Audio Damage's detailed plug-in model of the Mu-Tron Bi-Phase, the sought-after twin phaser pedal from the 1970s. Audio Damage bought and dismantled an original unit to capture its behaviour, including the response of its vactrols and the unique sweep of its LFOs, and rebuilt it as a Mac plug-in for your DAW.

    Key Features

    • Faithful model of the original Bi-Phase hardware, including its quirks and vactrol response
    • Two separately controllable phasers that can work together for deep stereo movement
    • Original six-stage phasers, plus a twelve-stage option per channel for stronger sweeps
    • The rare Bi-Phase expression pedal is modelled as a separate, modulatable parameter
    • Cross-platform preset manager, with presets that can move between desktop and iOS versions

    How to Download

    1. Make sure your DAW supports AU, VST or AAX effect plug-ins on macOS.
    2. Use the green Download button on this page to get the package, or visit the developer's website for the current release.
    3. Install the plug-in, rescan in your DAW, and place PhaseThree on guitars, keys or synths for classic phasing.

    System Requirements

    PhaseThree needs a Mac with a recent version of macOS and a 64-bit DAW. Because it is an older plug-in, check the developer's current requirements if you run the very latest macOS release.

    FAQs

    What hardware is PhaseThree based on?

    It models the Mu-Tron Bi-Phase, a vintage twin phaser known for its liquid, subtle stereo phasing. No two surviving hardware units sound exactly alike, so Audio Damage modelled one particularly good example.

    Is PhaseThree free?

    No. It is a paid Audio Damage plug-in. Use the green Download button on this page or the developer's website to get the current release and pricing.

  • Audio Damage AD046 Quanta 1.2.0 for Mac

    Audio Damage AD046 Quanta 1.2.0 for Mac

    Audio Damage AD046 Quanta 1.2.0 for Mac

    Audio Damage AD046 Quanta 1.2.0 for Mac

    Mac Audio
    Updated Nov 6, 2026
    Mac Audio • Updated Nov 6, 2026

    Quanta is a granular synthesizer plug-in from Audio Damage for Mac. Instead of playing a sample back normally, its engine chops your audio into tiny grains and reassembles them, turning simple recordings into clouds, pads and strange melodic textures. It pairs that engine with filters, envelopes and flexible modulation inside your DAW.

    Key Features

    • Ten-voice true stereo granular engine with up to 100 grains per voice, each up to one second long
    • Load your own samples in WAV, AIFF, Ogg, FLAC and MP3 formats by drag and drop
    • Full control over grain pitch, rate, direction, shape, length, panning and source position
    • Two multi-mode filters plus flexible envelope generators and flexible LFOs for modulation
    • MPE support and a factory library with designer presets from well-known sound designers

    How to Download

    1. Check that your DAW can host AU, VST3 or AAX instrument plug-ins on macOS.
    2. Get the installer from the developer: Download from the official site
    3. Install Quanta, load it on an instrument track, and drop one of your own samples onto the waveform to begin.

    System Requirements

    Quanta needs a Mac running a recent version of macOS and a 64-bit DAW that supports AU, VST3 or AAX plug-ins. An Intel or Apple silicon Mac with a multi-core processor handles dense grain clouds best.

    FAQs

    Is there a newer version of Quanta?

    Yes. Audio Damage has since released Quanta 2, which adds a second virtual analogue oscillator and built-in effects. The official link on this page points to the current Quanta 2 product page on the Audio Damage site.

    Does Quanta come with sounds, or do I need my own samples?

    Both. Quanta ships with factory content and designer presets, and its real strength is loading your own audio, so any recording you own can become raw material for new sounds.

  • Audio Damage AD045 ADverb2 2.3 for Mac

    Audio Damage AD045 ADverb2 2.3 for Mac

    Audio Damage AD045 ADverb2 2.3 for Mac

    Audio Damage AD045 ADverb2 2.3 for Mac

    Mac Audio
    Updated Nov 6, 2026
    Mac Audio • Updated Nov 6, 2026

    ADverb2 is Audio Damage's vintage-style digital reverb plug-in for Mac, inspired by the lush plate reverbs of early-1980s studio hardware. It deliberately keeps the control set small and friendly, so you can dial in a flattering space for drums, vocals or synths in seconds rather than scrolling through pages of parameters.

    Key Features

    • Version 2.3 offers three algorithms: the original Plate, a modern Ambience, and a large smooth Hall
    • Shared controls for pre-delay, reverb time, size, contour, rolloff and diffusion
    • Input level and output mix controls to balance the reverb against your dry signal
    • Preset browser with folders and favourites, including a large factory preset collection
    • Runs as AU, VST3, AAX and CLAP in 64-bit Mac hosts, with no DRM or dongle

    How to Download

    1. Confirm your DAW supports AU, VST3, AAX or CLAP plug-ins on macOS.
    2. Get the installer from the developer: Download from the official site
    3. Run the installer, rescan your plug-ins, and insert ADverb2 on a track or an effects return.

    System Requirements

    ADverb2 runs on Intel and Apple silicon Macs with a recent version of macOS and a 64-bit DAW. See the official product page for the minimum system requirements of the current build.

    FAQs

    How is ADverb2 different from Eos 2?

    Eos 2 is Audio Damage's deeper modern algorithmic reverb with more algorithms and more shaping controls. ADverb2 is the vintage-character option: fewer knobs, a strong opinionated sound, and a workflow closer to old hardware.

    Can I try ADverb2 before buying?

    Audio Damage offers demo versions of its plug-ins on the official product pages, so check there for the current demo terms before you purchase a licence.

  • Audio Damage AD044 Discord4 4.2 for Mac

    Audio Damage AD044 Discord4 4.2 for Mac

    Audio Damage AD044 Discord4 4.2 for Mac

    Audio Damage AD044 Discord4 4.2 for Mac

    Mac Audio
    Updated Nov 6, 2026
    Mac Audio • Updated Nov 6, 2026

    Discord4 is Audio Damage's long-running stereo pitch shifter plug-in for Mac, originally modelled on the classic Eventide H910 harmonizer and developed well beyond it. Each channel has its own pitch shifter, delay, filter and feedback path, so repeats keep shifting as they echo, which makes it useful for everything from subtle vocal doubling to spiralling, otherworldly effects.

    Key Features

    • Two independent pitch shifters, one per stereo channel, with a range of three octaves up or down
    • Three engines: Vintage, Modern for cleaner shifting, and Granular with a Chaos control
    • Per-channel delay, bandpass filter and feedback, plus cross-feedback between channels
    • Built-in stereo reverb inside the feedback loop for easy shimmer-style effects
    • MIDI control of the shift amount and two flexible LFOs for moving, animated sounds

    How to Download

    1. Make sure your DAW supports AU, VST3, AAX or CLAP plug-ins on macOS.
    2. Get the installer from the developer: Download from the official site
    3. Install the plug-in, rescan in your DAW, and load Discord4 on a track or return to start experimenting.

    System Requirements

    Discord4 runs on Intel and Apple silicon Macs with a recent version of macOS and a 64-bit DAW. Check the official product page for the exact minimum macOS version of the current build.

    FAQs

    What is new in Discord4 4.2?

    Version 4.2 rebuilds the plug-in on current SDKs and adds a new preset browser with folders and favourites, a preset bar for stepping through sounds, and 30 new factory presets, bringing the total to 50.

    Is Discord4 a subscription?

    No. It is a one-time purchase with a perpetual licence, no DRM and no online activation requirement after install, according to Audio Damage.

  • Audio Damage AD043 Filterstation2 2.1.1 for Mac

    Audio Damage AD043 Filterstation2 2.1.1 for Mac

    Audio Damage AD043 Filterstation2 2.1.1 for Mac

    Audio Damage AD043 Filterstation2 2.1.1 for Mac

    Mac Audio
    Updated Nov 6, 2026
    Mac Audio • Updated Nov 6, 2026

    Filterstation2, from Audio Damage, is a dual resonant filter plug-in for Mac based on the classic serial and parallel filter topology made famous by the Sherman Filterbank. It runs inside your DAW as an effect, letting you sweep, mangle and animate synths, drums, guitars and vocals with two linked filters and plenty of modulation.

    Key Features

    • Two resonant filters that can run in series, in parallel, or split across the stereo field
    • Twelve filter algorithms, including lowpass, highpass, bandpass and notch responses
    • Includes Audio Damage's 914 bandpass and Filterpod lowpass models, plus an MS20-style filter
    • LFO with multiple patterns and tempo sync, plus an envelope follower for dynamic sweeps
    • Available in AU, VST3, AAX and CLAP formats for 64-bit Mac hosts

    How to Download

    1. Check that your DAW supports AU, VST3, AAX or CLAP plug-ins on macOS.
    2. Get the installer from the developer: Download from the official site
    3. Run the installer, rescan plug-ins in your DAW, and try the fully functional demo before you buy.

    System Requirements

    Filterstation2 runs on Intel and Apple silicon Macs with macOS 10.13 or later and a 64-bit DAW. A recent version of macOS is recommended for the latest build.

    FAQs

    Is Filterstation2 free?

    No. It is a paid plug-in from Audio Damage, sold with a perpetual licence and no subscription. A time-limited demo is available on the official product page so you can test it in your own sessions first.

    Does Filterstation2 need a dongle or online activation?

    No. Audio Damage sells its plug-ins without DRM or dongles, so once installed you can simply open Filterstation2 in your host and start working.